Success! I avoided literally killing my new sweater while killing the acrylic last night, and I was able to wear it to work today.
(The lighting and ambiance in our work bathroom is maybe not ideal, but I hope you get the idea).
When I put it on this morning, it was still damp, but I was intent on wearing it today. It wasn’t damp like you could wring out the hems, but even I can recognize that it is a bit strange to put on a sweater and then spend half the day irrationally afraid that someone would touch my shoulder and wonder why I was so clammy and cold.
I’ll try to take some nicer photos and put together a proper FO post soon, but in the meantime I am very pleased that I actually finished and got to wear this sweater in the spring, before it became too hot to consider for another year.
“Mint” is one of those borderline onomatopoeia synesthetic words for me, where reading or saying the word instantly evokes the crisp freshness of mint itself. Similarly, when I look at mint greens, which are among my favorite colors, I feel like I can taste mint chocolate chip ice cream, toothpaste, or something similarly creamy and refreshing.
I had this vision of a mint green pullover top, to wear with crisp white blouses and breezy skirts in those early months of spring where it’s not quite chiffon season, but I wish it were. I’m using a free pattern from Cascade Yarns (PDF link) by Vera Sanon, who designs brilliantly simple, usually seamless, highly wearable knits.
I’m working in Caron One Pound, which I’ve found turns into this beautiful, creamy soft fabric when washed and fluffed dry at a low temperature (you can read more on my love of manageable acrylics here).
Something I’ve alluded to but maybe not directly stated is that one month ago I started a full-time job in a fairly conservative, upscale office. I love my job, and I’m happier than I ever imagined being every day (thank God).
I did notice, though, that my wardrobe was a bit of a mish-mash of pieces that didn’t immediately seem to add up to higher-end business casual attire. I read a very helpful article on Jezebel, How to Dress for Work, and I adopted the advice of a sort of “work uniform,” the same type of clothes layered together each day. For me it’s been either pencil skirt + blouse + cardigan, or dress + cardigan, with stockings and heels. Simple, easy, and surprisingly comfortable.
You may notice that the word “cardigan” appears twice in my work uniform repertoire, and you would correctly assume that I have a lot of cardigans in my closet. My love and need for cardigans was one of the big reasons I learned to knit years ago. So as I look through my queue and think about projects I’ve imagined myself wearing in some distant future, my focus has now turned toward the more “business casual” or office-ready garments.
My definition of office-ready may be a little different or pickier than others’, but for the time being, I am seeking flawlessly-finished (in my parlance, that would be seamless), finer-gauge, classically detailed, versatile styles that still have a bit of visual interest and personality to them. That works out rather tremendously because those are exactly the type of sweaters I most enjoy knitting anyway.
One such endeavor is the lovely Summer Waves Cardigan (PDF), which I’ve started above. I’m planning to lengthen the sleeves, and I’m toying with adding one of the lace repeats from the collar band to edge the sleeves. I picture wearing this over a summery dress, with a skinny belt.
I hope it looks as nice in the office as it does in my imagination!
Pattern:Peggy Sue by Linda Wilgus, a free pattern from Knit on the Net. My project page is here. Size: L (42″) Yarn: Knit Picks CotLin 8-ply DK weight, 70% cotton / 30% linen, in Sprout; I used less than 5 balls, approximately 250 grams, which was 615 yards / 562 meters. Needles: Size 6 (4.0 mm) Modifications: Omitted waist cables, knit button band in garter stitch, continuously with body.
Started: June 18, 2010 Finished: August 15, 2011*
* – Actually, I finished knitting it July 19, 2010, then I took until August 15, 2010 to block it. Then I thought about buttons for a year and finally sewed them on August 15, 2011. Then I waited another 9 months to actually wear it out and photograph it.
In an unprecedented streak of FOs, I have another little cropped cardigan. I realized recently that if I wear my hand-knit garments when I meet my mother for the ballet, I can ask her nicely to photograph me with a scenic Upper West Side backdrop, at a time when my hair is brushed and I am (more or less) put together. These results obviously vary, and while my mother is a very talented photographer on her own, I don’t think she particularly excels at snapping flattering shots of me. But to be fair, I’m probably not going to like any photographs of myself until I am at a healthier weight, so I’m going to shut up and be content that she obliged me in taking any photographs at all. And get to talking about the knitting.
I like this style of cropped cardigan very much because it gives modesty to low-cut spring or summer dresses, without adding bulk or a bunch of fabric around one’s waist and back. I’ve noticed that a lot of “summer cover-ups” that can be found in stores tend to hang past the hips and obliterate any sense of the silhouette. I think they try to make up for the one-size-fits-all lack of shaping with open weave crochet and a sort of beachy vibe, but to me, that tends to accentuate the frumpiness. I realize this is totally a personal bias, but for me, I want something that seems a bit more tailored, while still having the ease and softness of a sweater.
This project involved a lot of pausing and deliberating, which could rightfully be interpreted as dragging my feet. I loved the original design straight off. At the time though, I had an intense cable aversion, after working too many teeny tiny cables on socks, so I decided to omit them and put ribbing in their place. Predictably, the design sort of depended on the cables pulling the sweater in at the waist, which mine does not do. I further modified the shape by continuing in stockinette longer than I should before switching to ribbing because I didn’t want the switch to hit at a weird spot on my bust-line (I’m sure everyone has that one top with the seam that insists on riding up and making it look like your breasts are falling out the bottom).
These modifications probably would have been alright if I had added in a little waist shaping or continued the ribbing longer, but I was limited by both the amount of yarn I had to use and by the total lack of elasticity in this cotton/linen blend. I genuinely love the yarn, and I was impressed by how comfortable it was to wear and the nice drape it had – but it is not a clinger in any way. It gives the sweater a sort of popover feel, without veering too far into boxiness, so it still feels nicely retro and feminine.
It’s also entirely possible, based on the wideness of the neckline, that I’ve knit too large a size or that my gauge was completely off. I honestly never checked because I liked the fabric I was getting. Ah well.
One of my biggest concerns was that the button bands not gap at all, even in the slightest. This fixation may be part of why I was okay with a roomier size. I took a page from a seamless baby cardigan that I had knit, working the button bands at the same time as the body of the sweater. I chose to work them in garter stitch, instead of moss stitch called for in the pattern, because I reckoned that would match better with the ribbing I was planning. I also off-set the buttonhole by one stitch, so that there was slightly more fabric on the outer edge of the band, and I sewed the buttons a little bit off-center as well.
I’m glad I paid attention to the buttons. They can make or break such a simple garment. I’m trying to be mindful of this type of finishing detail, much as I loathe sewing on buttons, because in the end, I’m really happy with these. They’re a shiny plastic that is a nearly perfect color match for the yarn, with pretty abstracted flower shapes that pick up the springtime, garden idea. I was careful to sew them all exactly horizontally (despite their appearance in this photo) so the front band would have a uniform feel. Considering I will most likely exclusively wear this sweater buttoned, I’m very pleased that the bands don’t gap at all and the whole thing looks tidy.
I think if I had it to do again, I’d knit this sweater in a stretchier yarn, or I’d go another direction with a fluffy mohair or angora. I would also get over my aversion and knit the cables because I think they would have impacted the shape significantly.
Still, this is a cute and wearable top. Its seamless construction made it both highly enjoyable to knit and incredibly comfortable to wear. Now I just have to get the Buddy Holly song out of my head.