Some newer cast-ons

I have a lot of catching up to do. Let’s start with three new cast-ons from the end of the summer / early fall.



The first is a lacy cotton-modal blend cardigan, which I am trying to work completely seamlessly using this lovely Knit Picks Shine in Crocus, a fuchsia color that still reminds me a bit of phenolphthalein. This yarn had been committed to a classic Erika Knight Deep V-neck sweater for oh, nine years (have I really been knitting so long??) but I ultimately decided I just didn’t want to deal with the seaming. I also felt like the fabric of the sweater was too drapey and would make for a clingier fit than I wanted for a long sleeve pullover.



I’m delighted with the lace pattern and fabric being created, and I think it uses the airiness and drape of the yarn better for something I can wear over dresses and blouses in the spring, fall, and cooler days of summer.

Recently Interweave ran a great sale in their online shop, and I scooped up several digital editions of Knitscene that I’d been meaning to get for $3 each. I immediately cast on for the Byzantium Stole in a beautiful tan wool-silk blend that I can already see myself wearing with a green motorcycle jacket that I don’t wear often enough.



I love the clever geometry of this pattern and how it’s coming together in this yarn already.


p1100378

As I was knitting, admiring the Art Deco sort of pattern that was emerging, I kept thinking about this metallic silvery yarn that I had tried to turn into a shrug (with pretty disappointing results). What if I worked this scarf (let’s be real) on larger needles to make a bigger, wrap-like stole?



Of course as soon as I found the right sized needle, I cast on for that too, and I’m happy with the way it’s coming together. I don’t usually work the same pattern in two yarns / gauges at the same time, but they have such different feels that I think they will result in two unique pieces. Plus I enjoy the clever pattern so much I look forward to knitting it twice.



This yarn is still having some issues, which unfortunately seem to be part of how it’s made (I’ll discuss this more soon). It also keeps snagging on the join of the circular needle I’m using, which is maddening, but I guess it will save me the anxiety of when it inevitably catches on my earrings, zippers, or whatever other things always seem to reach out to grab my scarves while I’m wearing the finished stole.

So, much more soon! Maybe I’ll even photograph some of the sweaters I’ve finished lately.

FO: Foxtrot Featherweight Cardigan

Pattern: Featherweight Cardigan by Hannah Fetig, from Knitbot. My project page is here.
Size: 38.75″-ish
Yarn: Knit Picks Shadow Lace 2-ply laceweight, 100% Merino wool, in Foxtrot Heather, 24511; I used almost exactly 2 skeins, approximately 100 grams, 880 yards/ 804.7 meters.
Needles: Size 6 (4.00 mm)
Modifications: Used kf&b increases, worked 1×1 ribbing on the collar.

Started: July 31, 2015
Finished: September 16, 2015

I love the first Featherweight Cardigan that I made so much I knew I wanted another. I believed that by knitting a slightly smaller size, at a more open gauge, I would get basically the right size, but use only 2 skeins of laceweight yarn. I was flying blind and gambling on the yardage, but I’m delighted to find that I was right, and I’m quite pleased with how this one came out.

This type of sweater is exactly the reason I wanted to learn to knit in the first place. I am always looking for lightweight garments that can be worn over printed sundresses (my closet overflows with these) to cover my arms in the spring and summer. It is a combination of modesty and practicality: when I attend the opera, ballet, symphony, etc., the air conditioning inside is typically frigid, but it’s usually too warm outside to be comfortable in a jacket. I find that store-bought cover-ups or cropped cardigans tend to have critical flaws, such as too heavy a yarn, too busy a pattern, too frumpy a style, or sleeves that are really only a conceptual suggestion and don’t properly work the way I’d like as sleeves. I’m often left mystified about what to wear to complement all these pretty, colorful dresses that isn’t just another plain white or black cotton cardigan.

The open, fluttery gauge of this sweater kept the Merino yarn from being too warm even outdoors in the sunshine, but it was warm enough that I didn’t feel chilled indoors. I will admit that because the temperature on the day I took these photos was closer to 50° than 75° and it was unpredictably windy, I did bring a jacket and scarf, but I didn’t feel the need to wear either until the sun had set and I was walking home at night. A little cardigan that can comfortably span 20-30° or more is a real winner in my book.

I modified the pattern slightly by changing the collar and front to 1×1 ribbing, which I also did on my last Featherweight. Once I was happy with the length and the sleeves were complete, I basically knit for as much yarn as I had, and the length I ended at is spot-on. It is just long enough to cover the back of my neck if I am chilled, but because it is so lightweight, I found I could neatly fold it over like a shawl collar in the back as well. I had a much easier time picking up stitches for the neckline and managing the construction in general on this one, and I’m thrilled it looks tidy and clean overall.

I was so enthused upon the completion of this project last fall that I actually immediately cast on another, in pink, which I set aside once I got busy with an exciting new employment adventure (if you’re interested, you can read more about that here), and of course, winter knitting.

I really do need to get better about photographing my finished projects. I have a list of more than 30 things I’ve completed, and in some cases have been wearing for literally years, but it’s rare that I can get someone willing to take a photo. And it’s rarer still that what they take actually shows the knitting well or is flattering enough that I’d like to share it in public. So I’m going to play around with a tripod and a timer or a remote shutter release, to see if I can be a little more timely if I photograph finished projects on my own.

WIP: Art Deco Lace-Edged Cardigan

I don’t know why I’ve never knit a DROPS pattern before, seeing as there are so many gorgeous free ones out there that appeal so specifically to my taste and style. All that is changing now.

Described as DROPS 113-33 Jacket with Lace Pattern, I’ve rechristened it my Art Deco Lace-Edged Cardigan because the pattern reminds me so much of my favorite details from Art Deco architecture, especially the Chrysler Building’s spire.

© Carol M. Highsmith, via Wikimedia Commons

I’m knitting it in a lovely sagey blue-green shade of CotLin DK, a cotton and linen blend that is quickly becoming one of my favorite yarns.

This project has everything I love about knitting going on, and I’m enjoying it so much already.

Summer break, so I’m knitting and thinking about clothes

I did something today that was simultaneously unusual and utterly in keeping with my most ingrained habits and tendencies.

I cast on for a new project.

I’ve been at my job just over a year now, and I truly love it. I recently got a very nice promotion, so apart from the few weeks where I rarely left the office before 8pm, it’s going swimmingly. The downside is that its demands plus my still very long commute leave me with little time or energy to do the crafty things I used to enjoy so frequently at home. My company is closed for the next two weeks, so I am trying to take advantage of the time off to get my home life back in order.

While ordering Roman shades for my bedroom (I’ve been living with the vinyl blinds my landlord provided when I first moved in back in 2010… which I’ve since broken) I also did a little bit of online clothes shopping for some summer pick-me-ups. I’m pretty picky about the value of clothing, especially after working in retail and coming to really understand the vast difference between fabrication, wholesale, and retail pricing.

I bought two more pencil skirts just like the dozens in my closet, and while they were seriously marked down, I kept thinking, “These things have three, maybe four seams and a zipper. Why do I routinely spend so much money on something I could so easily make?!” I have owned a sewing machine for years (it may or may not still be in working order). Back in 2007, I bought two patterns and fabric (which has all since been lost or wrecked) with the sincerest intentions to learn to sew skirts and dresses. But I never sealed the deal, and I have no idea why not.

Another thing that occasionally troubles me when buying clothes (especially at such discounted prices) is that I can’t really know if they were produced in ethical labor conditions. I try to shop only from companies with solid reputations, but unless you are making the clothes yourself, you can’t actually be sure that no one was exploited or mistreated for your super cute new sundress (not that this qualm has stopped me from buying anything lately – but it does hover in the back of my mind). It is my hope that I can learn to sew basics like skirts and dresses, maybe even blouses, and that in addition to benefitting from custom sizing and choosing the fabrics of my dreams, I will no longer have a closet full of morally ambiguous textiles.

But I’m getting quite a bit ahead of myself. That aqua-blue yarn you see above? It’s cheerily on its way to becoming this:

The Viennese Shrug, from Interweave Knits Summer 2005. I’ve been wanting to make this lacy shrug since 2007 (I had a lot of good ideas back then) and just like my intended sewing projects, somehow never quite got around to it.

But that good-intentions-poor-follow-through habit is precisely the one I plan to break, starting now.

Business Casual Knits

Something I’ve alluded to but maybe not directly stated is that one month ago I started a full-time job in a fairly conservative, upscale office. I love my job, and I’m happier than I ever imagined being every day (thank God).

I did notice, though, that my wardrobe was a bit of a mish-mash of pieces that didn’t immediately seem to add up to higher-end business casual attire. I read a very helpful article on Jezebel, How to Dress for Work, and I adopted the advice of a sort of “work uniform,” the same type of clothes layered together each day. For me it’s been either pencil skirt + blouse + cardigan, or dress + cardigan, with stockings and heels. Simple, easy, and surprisingly comfortable.

You may notice that the word “cardigan” appears twice in my work uniform repertoire, and you would correctly assume that I have a lot of cardigans in my closet. My love and need for cardigans was one of the big reasons I learned to knit years ago. So as I look through my queue and think about projects I’ve imagined myself wearing in some distant future, my focus has now turned toward the more “business casual” or office-ready garments.

My definition of office-ready may be a little different or pickier than others’, but for the time being, I am seeking flawlessly-finished (in my parlance, that would be seamless), finer-gauge, classically detailed, versatile styles that still have a bit of visual interest and personality to them. That works out rather tremendously because those are exactly the type of sweaters I most enjoy knitting anyway.


© Cascade Yarns / Vera Sanon

One such endeavor is the lovely Summer Waves Cardigan (PDF), which I’ve started above. I’m planning to lengthen the sleeves, and I’m toying with adding one of the lace repeats from the collar band to edge the sleeves. I picture wearing this over a summery dress, with a skinny belt.

I hope it looks as nice in the office as it does in my imagination!