I’ve been thinking about color lately, which is an interesting reprise from painting in only black and white. Chinese scholars felt that within a black and white image, the receptive viewer could see all colors, and that a black ink painting would allow a person to dwell in the realm of the imagination.
When faced with color decisions in knitting, I expect it to be easy. In mass manufactured supplies, there are certain standard dyes and pigments regularly used – it should be easy to match them and find ones that go together. Ha.
A few weeks ago, I bought these three ribbons as possibilities for my Summertime Tunic. Each had their merits, but I couldn’t decide. At the time I favored the blue and white polka dot grosgrain, thinking the color match was nearly spot-on. My mother favored the sheer turquoise, thinking it would lend delicacy and elegance and that the color was actually closer. As a last resort, I also grabbed the navy satin, just in case.
So now I’m peering and squinting at all three, and I just can’t decide. They all have such different characters and would subtly affect the style of the tunic. I am leaning in a certain direction, but I thought it couldn’t hurt to ask: which do you prefer?
In a totally different color scenario, I got yarn for two other projects recently. At right, a juicy raspberry for a (now out-of-season) Coachella. This is completely uncharacteristic for me, as I usually prefer shades of greens, blues, and brown, but something about this top and my restless need to prolong summer called out for a saturated, decadent hue.
The left is called plum wine, which is really off the deep end as far as my color choices typically go, but for some reason it spoke to me. I bought it with the intention of knitting a Lelah top (seriously in denial about the season over here), but this was before it occurred to me that I may not be able to block acrylic into a nice lace pattern. I will definitely have to test that out.
