FO: Mermaid Pomatomus Socks

When I was a new knitter way back in 2006, I started keeping an aspirational list of “Someday Projects.” These were the ones that seemed too complicated, too technically daunting, or just too intimidating to even consider before a lot more projects and years of learning. Even though I’ve knit many, many pairs of socks, I still kept these socks in the aspiration-only section of my queue until one day I got my hands on the absolute perfect yarn for them and realized I was totally ready.

Handknit socks from the Pomatomus pattern by Cookie A, in variegated blue yarn, modeled on feet

Pattern: Pomatomus by Cookie A, available for free from Knitty winter 2005 (Ravelry Project page)
Size: Women’s size 9.5 (US)
Yarn: SweetGeorgia Yarns Tough Love Sock, fingering weight, 80% Merino wool / 20% nylon in Mermaid; I used every last inch of the 115g skein (425.4 yards / 389 meters) plus a few yard of Knit Picks Stroll in Mermaid
Needles: Size 1 (2.25 mm) DPNs
Modifications: Widened and lengthened for fit, as described below

Started: September 5, 2019
Finished: September 21, 2019

So the truth is, I had actually started this pattern once before, back in 2008, when I was still a bit iffy on socks overall, and I felt overwhelmed trying to carry yarn-overs across DPNs or manage a lace pattern that moved. That attempt was quickly set aside, and after working similarly complicated, shifting lace patterns, I was determined to make it work this time. I made it a little harder and more yarn-consuming on myself than I needed to by going down a needle size and working the pattern over 84 stitches for the leg, instead of the 72 stitches the pattern calls for. I preferred the way the yarn looked at this gauge, and I liked the smaller scale of eyelets and the way the lace stretched.

Handknit sock in progress, showing the Pomatomus pattern's cuff and first few lace repeats on DPNs

I had won this gorgeous yarn as a Sock Knitters Anonymous (Ravelry link) prize, and I was so thrilled by the way the colors danced and shimmered in the lace pattern. I also really enjoyed the harmony of a sea-inspired pattern (Pomatomus being the genus for bluefish) with a yarn named Mermaid. It all just came together exactly the way I hoped it would.

Handknit Pomatomus socks, modeled on parallel feet facing forward

To get the fit I wanted around a wider calf, I started with 84 stitches on the ribbing and continued at this width for most of the leg. I also added a chart repeat to lengthen the leg, which I usually do for top-down socks so they hit at a comfortable point and don’t slouch or fall down. I reduced to 72 stitches as I approached the heel by omitting yarn-overs over one lace section for half a repeat, and the transition went so smoothly I can’t even remember or see in these photos exactly how I did it. It was important to me that I preserve the way the pattern flowed into the heels and stay continuous from the leg into the foot, so I worked these decreases in the repeats at the sides above the ankles, where they could kind of melt into the gussets.

Handknit Pomatomus socks modeled on feet, standing slightly on tip-toe and viewed from behind to show heel detail

I loved the impact of the twisted stitches on the heels flowing out of the lace and the fit of the ribbed heel flap.

Handknit Pomatomus socks modeled on feet, viewed from above

The rest of the gusset and foot was worked according to the pattern, and I especially appreciated the way the designer transitioned the lace through the instep chart so it flowed from the leg perfectly.

Detail view of handknit Pomatomus socks, showing toes with coordinating yarn striped in

As I approached the toe on the second sock, I realized I was short on yarn due to the modifications I’d made to stitch count, gauge, and the way the allover ribbing design ate up so much yardage. I was initially planning on just knitting a contrast toe with a solid-colored coordinating yarn from my stash (also named Mermaid, as it happens) but when I saw the two yarns next to each other, I felt they were so, so close in tone and value that I could get away with striping them together to kind of blend the two. I think the contrast between the ribbed lace and plain stockinette also helped me get away with a tidy visual transition.

Detail of handknit Pomatomus sock on sock blocker, showing toe

I frogged back both toes to this point and blended in the contrast yarn. I’m really pleased with how well that strategy worked out, and I feel in some small way this maybe justifies my habit of buying so many similarly-colored yarns to have this kind of option?

Detail view of handknit Pomatomus socks on sock blockers, showing lace pattern in SweetGeorgia Mermaid yarn

This lace pattern worked so beautifully with this yarn that I literally can’t stop looking at these socks when I wear them (or take them out just to admire them). My father was so impressed with the cleverness of the lace and its resemblance to fish scales and waves that he asked for a pair of his own for Christmas (“yeah, even with the holes, that’s fine!”). I’m not only thrilled with the way these socks came out, but also super happy I have learned enough about knitting along the way to get the exact fabric quality and size/fit I wanted, as well as the know-how to overcome running out of yarn without compromising the overall effect.

Handknit Pomatomus socks, side-by-side on sock blockers

The thing I love so much about knitting is that for the most part, it’s just different combinations of two stitches, knitting and purling, plus yarn-overs. Yes, it gets fiddly and can be tricky with decreases, lace, shaping, construction, sizing, and so on, but in the end, it’s fundamentally always built of things I already know how to do. I love projects like these socks, which are confidence-building, useful learning experiences, beautiful to look at, and great inspiration to tackle the patterns I’ve been keeping on my Someday list.

Handknit Pomatomus socks, modeled on feet, with one stepping in front of the other

Because if I keep at it, put one foot in front of the other, continue challenging myself and just doing it, Someday has to come one day, right?

Going to great lengths for a seamless cardigan

I have been wanting to knit the Salvia cardigan for years, and in 2015, I finally cast it on. I made the decision that I wanted to figure out how to work it seamlessly, or with as few seams as possible because I still have not mastered attractive seaming for my handknits (I promise, I am working on it and practicing).

I’ve been collecting techniques to avoid seaming over the years, including three-needle bind-offs, picking up stitches around edges, and so on, but this sweater has a unique challenge. The scalloped lace sections that give it its special style are charted from the bottom up, and because they are made with yarn-overs and decreases that play a visible role in the design, I wasn’t able to find an elegant way of replicating them in a top-down direction. I run into the opposite problem somewhat frequently in sock-knitting, where the lace only “reads” with the right gravity and flow in the direction it was designed. So I persisted anyway, quickly working the cardigan’s back, left, and right fronts all together in one piece to the underarms.

Diagram of a plan for knitting the Salvia Cardigan seamlessly

Next I worked the three pieces separately, back and forth on two needles, then finished with a three-needle bind-off at the shoulders. I’ve had my cardigan in a vest-like shape for several years now, while I hemmed and hawed about how best to proceed. The specific type of seaming I am worst at is setting in sleeves at the shoulder. Vertical mattress stitch is fine, but once I start working on a curve, it gets wonky and uneven, and no matter what I do, I’m not pleased with the finished product. So I’ve thought, on and off, for quite some time about how I could work the shoulders using short rows to shape the cap (I plan on something like this brilliant tutorial) and then pondered what to do about the bottom-up lace at the ends of the sleeves.

Recently I was grafting the toe of a sock using Kitchener stitch, thinking about what a neat finish it gives, and it finally occurred to me that I could probably graft in the round, so long as I had the live stitches from the sleeve and the lace portion matched up correctly. By placing the graft just above the lace cuff, I’m hoping it will be unobtrusive and neat and that the sleeve will appear as it is designed, without having to set in shoulders or compromise the design.

I cast on the first lace cuff the other day, and I can’t wait to find out if I’m right!

Previous Entries with this Project:
WIP: Art Deco Lace-Edged Cardigan

Spring Socks

One of the goals I’ve set for this year is knitting a pair of socks each month, usually as part of the Sock Knitters Anonymous challenges on Ravelry. I’ve also decided they would be part of the #FreeSocks2020 project, where the socks are knit with yarn I already have in my stash, from patterns available for free.

These are my Cuarzo Rosa socks, and between the pretty lace pattern and delicate pink heather color, they feel just perfect for spring. I cast these on for the April-May SKA challenge theme of “under-appreciated patterns,” where a design must have fewer than 15 projects on Ravelry to qualify. I am stunned that I was only the seventh person to cast on for this incredibly beautiful and enjoyable design.

Inspired by the lacy clusters of rose quartz crystals as they are found in nature, the pattern grows into rhythmic organic shapes that are nowhere near as difficult to knit as they may look. I always love that quality in lace.

I’m having a great time watching these socks develop and look forward to having a finished pair soon!

FO: Scrolls Socks

Amazingly, I finished another pair of socks this month! And it only took me ten years or so to get here…



The last time we talked about these socks was back in July 2008 (yikes), when I had cast them on for a lace socks challenge. I made a silly mistake in the pattern that would have meant I had to rip back three or four rows to fix it, and I was still a new enough knitter that such a task was entirely too daunting, so I did what any sensible person would do: put them in the bottom of my knitting basket for 10 years and pretended they didn’t exist.



Pattern: Scrolls Socks by Charlene Schurch, from her book More Sensational Knitted Socks. (Project page on Ravelry)
Size: Women’s size 9.5 (US)
Yarn: Knit Picks Essential (now called Stroll), fingering weight, 75% superwash Merino wool / 25% nylon in Coral
Needles: Size 1 (2.25 mm) DPNs (from the Susan Bates 7″ sock set)
Modifications: None, as the pattern creates custom socks

Started: July 14, 2008 (no, that’s not a typo)
Finished: August 19, 2018



Every August, the Sock Knitters Anonymous group on Ravelry has a community KAL to finish in-progress WIPs, and I finally worked up the motivation to pick these socks back up again. Gosh, they just danced off the needles this time.



I was glad to revisit Charlene Schurch’s brilliant book, which I had initially purchased primarily for this pattern. This time I read the note about how despite being a fairly open 8-stitch repeat, scroll lace knit in the round has a tendency to be less stretchy than one might expect because of the way the pattern falls on a bias. Therefore, I followed the recommendation to increase from 64 stitches on the foot to 72 on the leg, resulting in a perfectly-fitting sock.



It was around the time when I started these socks that I discovered my favorite elements in sock-knitting, starting toe-up with a figure-8 cast-on and working a short-row heel.



As with my Catnip Socks, I worked several rows in stockinette stitch (half a repeat) on the back needles after turning the heel. I used these rows to absorb the 8 stitches I increased for the leg, and I think it all worked out quite nicely.



The scroll lace pattern is so intuitive I had it memorized by the first repeat, and it was great fun to work. I love when lace is so high-impact from such simple combinations of yarn-overs and decreases. It makes me feel terribly clever as a knitter. The saturated coral-orange color and lovely feel of the yarn made this project a pleasure through and through.



If I had known what a joy it would be to make these socks, I probably wouldn’t have waited ten years to finish them! But I’m delighted to get to wear them now and looking forward to the next pair.

 

Previous Entries with this Project:
2008 Knits in Review
Keeping Busy

 

FO: Catnip Socks

Toward the end of July, I cast on a new pair of socks on a whim, thinking it would be fun to participate in a Sockdown knitalong in a beloved Ravelry group for the first time in… oh, ten years or so… and this weekend I finished my Catnip Socks!



Pattern: Catnip Socks by Wendy D. Johnson. (Project page on Ravelry)
Size: Women’s size 9.5 (US)
Yarn: Knit Picks Stroll Tonal, fingering weight, 75% superwash Merino wool / 25% nylon in color #26755 Cucumber
Needles: Size 0 (2.0 mm) DPNs (Knit Picks 6″ nickel-plated)
Modifications: Changed to a short-row heel with additional stockinette rows before beginning lace of leg; worked pattern over 70 stitches

Started: July 26, 2018
Finished: August 10, 2018



I’m just delighted with the way these socks came out. Something about the soft cool color, delicate lace, and fine gauge thanks to size 0 needles makes these basically perfect.


I was attracted to this pattern for the toe-up lace, which flowed neatly and was easy to memorize. I started with a figure-8 cast-on over 8 stitches and increased to 70 so the pattern would be continuous around the leg.



I worked my favorite short-row heel by decreasing to 13 stitches (11 on each side), then I continued in stockinette for 1 pattern repeat (8 rows) to give a bit more depth to the heel before beginning the lace for the leg.



I was somewhat irrationally nervous I would run out of yarn, despite the super generous 462-yard put-up. I had no reason to worry, as I still had quite a bit of yarn left after working my typical length legs and plenty of ribbing.



I truly enjoyed working with this yarn, which was soft but strong and so subtly variegated that the color shifts were nearly imperceptible at times, building to a beautiful semisolid. I’m glad I have other colorways of this yarn in my stash, as I can’t wait to work with it again.



Everything about this project was a dream, and it reminded me of why I love lace, sock-knitting, and lace sock-knitting so very much. Not suprisingly, I’ve already got another pair of lace socks on the needles.

Previous Entries with this Project:
Summer Knitting