Some newer cast-ons

I have a lot of catching up to do. Let’s start with three new cast-ons from the end of the summer / early fall.



The first is a lacy cotton-modal blend cardigan, which I am trying to work completely seamlessly using this lovely Knit Picks Shine in Crocus, a fuchsia color that still reminds me a bit of phenolphthalein. This yarn had been committed to a classic Erika Knight Deep V-neck sweater for oh, nine years (have I really been knitting so long??) but I ultimately decided I just didn’t want to deal with the seaming. I also felt like the fabric of the sweater was too drapey and would make for a clingier fit than I wanted for a long sleeve pullover.



I’m delighted with the lace pattern and fabric being created, and I think it uses the airiness and drape of the yarn better for something I can wear over dresses and blouses in the spring, fall, and cooler days of summer.

Recently Interweave ran a great sale in their online shop, and I scooped up several digital editions of Knitscene that I’d been meaning to get for $3 each. I immediately cast on for the Byzantium Stole in a beautiful tan wool-silk blend that I can already see myself wearing with a green motorcycle jacket that I don’t wear often enough.



I love the clever geometry of this pattern and how it’s coming together in this yarn already.


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As I was knitting, admiring the Art Deco sort of pattern that was emerging, I kept thinking about this metallic silvery yarn that I had tried to turn into a shrug (with pretty disappointing results). What if I worked this scarf (let’s be real) on larger needles to make a bigger, wrap-like stole?



Of course as soon as I found the right sized needle, I cast on for that too, and I’m happy with the way it’s coming together. I don’t usually work the same pattern in two yarns / gauges at the same time, but they have such different feels that I think they will result in two unique pieces. Plus I enjoy the clever pattern so much I look forward to knitting it twice.



This yarn is still having some issues, which unfortunately seem to be part of how it’s made (I’ll discuss this more soon). It also keeps snagging on the join of the circular needle I’m using, which is maddening, but I guess it will save me the anxiety of when it inevitably catches on my earrings, zippers, or whatever other things always seem to reach out to grab my scarves while I’m wearing the finished stole.

So, much more soon! Maybe I’ll even photograph some of the sweaters I’ve finished lately.

False start

This is how much sweater I knit…

… before I realized I was making the wrong size.

I had calculated the gauge years ago using a much thicker yarn. While this size technically fits, it doesn’t fit well, so I’ve started over. I’m certain I brought it on with the hubris in my last post.

As a silver lining, I am glad that it gives me the chance to fix a few flubs I’d made in the very beginning. Fourth time’s the charm?

A Yarn Story

Way back in undergrad I decided I wanted to learn to knit. I made the decision fairly spontaneously in the middle of a craft store while I was buying painting supplies, tossing a skein of variegated worsted weight acrylic yarn into my basket. It was Red Heart’s Super Saver economy line, and its color is called Painted Desert. It evoked so many tranquil, outdoorsy thoughts in its mix of jewel tones with a warm tan and sienna color that I just had to learn how to knit it.

My mother lent me a pair of her needles and taught me how to cast on and make a knit stitch (I’m sure this is why I knit English – my mother is left-handed). I didn’t learn to purl, so the first thing I ever knit, over the course of several years in college, was a massively wide garter-stitch scarf-wrap type thing that I wore outside of the house exactly once.

It was a disaster of dropped and accidentally added stitches, wonky irregular gauge, and basically all the classics of a new knitter’s mistakes. In 2006 I decided to learn to knit again, branching out beyond garter stitch rectangles, and it stuck. I found a sweater pattern that I thought would show off the little bursts of color in this yarn, and I bought quite a few more skeins. I knit up the back in what became a somewhat Ravelry-famous example of spectacularly dizzying, ugly pooling.

Not surprisingly, I frogged it, and the yarn hung out for years. It actually looks pretty nice in a ball, so I was willing to relegate it to a random decorative accent on my bookshelf, but it bothered me.

I kept thinking there was a secret to this yarn that I hadn’t cracked. I didn’t like the way it looked in garter stitch, nor in stockinette. Because I have such a large quantity of it, I was considering working it into an openwork afghan. I don’t know what made me think of it again, but I browsed through all the projects using this yarn on Ravelry, and I saw a beautiful seed stitch scarf. I fell in love with the fabric and immediately cast on.

It is so pleasant to watch the colors shift and combine in seed stitch. Each color tends to stretch about 3-4 stitches, and although it has pooled a touch in some places, I like it overall. I’m so pleased to have found a way to make this yarn do what I knew it could.

I have a whole slew of projects planned with this yarn in seed stitch, starting with a moebius scarf, then matching hat and gloves. I also want to make a set of cushion covers for my couch and maybe some slippers or house socks. I expect pretty soon I’ll be surrounded in Painted Desert yarn.

Shifting the seasons

Even though it’s finally feeling like fall, I thought I’d sneak in one last laceweight, candy pink sweater that I almost certainly won’t wear until next spring. It’s like a very colorful form of hibernating, to promise something for my future self.

After this, I’m switching gears to something bulky and Icelandic.

I brought a suitcase full of yarn back from Iceland five years ago, so it’s a little embarrassing that I haven’t finished any of the projects I had planned for it yet.

I hope by the time New York returns to its polar vortex state, I’ll be armed with a big sweater to keep warm and remind me of my trip.

A time to kill

I’ve killed before, and it came out so nicely it made me a devoted acrylic lover, but for some reason I was very anxious about killing my recently completed Mint sweater.

It’s got to be the most nerve-wracking form of blocking because it’s irreversible and so easy to accidentally leave the iron over one place too long and end up with a flattened, lifeless bit. I very dopily scorched a light-colored sweater when killing without a press cloth two years ago and still haven’t forgiven myself for it.

I had half a mind to wear this sweater to work tomorrow without washing or blocking it, but I bit the bullet and carefully steamed it. It’s sitting in the kitchen with a fan trying to hasten it fully drying and, ideally, fluffing back up into something soft and lovely.

Fingers crossed!