A time to kill

I’ve killed before, and it came out so nicely it made me a devoted acrylic lover, but for some reason I was very anxious about killing my recently completed Mint sweater.

It’s got to be the most nerve-wracking form of blocking because it’s irreversible and so easy to accidentally leave the iron over one place too long and end up with a flattened, lifeless bit. I very dopily scorched a light-colored sweater when killing without a press cloth two years ago and still haven’t forgiven myself for it.

I had half a mind to wear this sweater to work tomorrow without washing or blocking it, but I bit the bullet and carefully steamed it. It’s sitting in the kitchen with a fan trying to hasten it fully drying and, ideally, fluffing back up into something soft and lovely.

Fingers crossed!

WIP: Art Deco Lace-Edged Cardigan

I don’t know why I’ve never knit a DROPS pattern before, seeing as there are so many gorgeous free ones out there that appeal so specifically to my taste and style. All that is changing now.

Described as DROPS 113-33 Jacket with Lace Pattern, I’ve rechristened it my Art Deco Lace-Edged Cardigan because the pattern reminds me so much of my favorite details from Art Deco architecture, especially the Chrysler Building’s spire.

© Carol M. Highsmith, via Wikimedia Commons

I’m knitting it in a lovely sagey blue-green shade of CotLin DK, a cotton and linen blend that is quickly becoming one of my favorite yarns.

This project has everything I love about knitting going on, and I’m enjoying it so much already.

All about that lace, ’bout that lace, no cables…

(Actually I have no truck with cables, but I couldn’t resist the rhyme.)

This weekend, cranky about the snow, I finished knitting a bright pink seamless lacy sweater. I didn’t weave in the ends or find / sew on buttons yet, but I’m already really happy with how this one is coming along. And if the temperature ever rises consistently out of the 30s this spring, I’m looking forward to wearing it over floral, springy dresses.

Soon, I really hope.

Thinking nautical thoughts

Working for a jewelry company, I frequently encounter charming, beautiful things that I’d love to own and will probably never be able to afford.

Like this 1930s bracelet I came across last year that uses nautical flags to spell out “I LOVE YOU.” Lacking a spare $14,000 for this one, however many thousand a Cartier “DEAREST” would cost, or even the several hundred dollars that contemporary charm versions run, I had temporarily disregarded my vision of a nautical bracelet spelling out my name.

For a lark, I read The Official Preppy Handbook by Lisa Birnbach today. I was feeling a little homesick for the super preppy town where I grew up, and on a rainy Smarch day, I could all but taste salt water and feel the sun on my face while sailing.

One of the recurring references was to needlepoint belts and accessories, which I had all but forgotten from my childhood. There was also a cute quip about how the only acceptable “monogramming” of one’s car was perhaps to put small nautical flag decals of initials under the driver’s side door handle.

It all came together in my mind. Nautical flags totally lend themselves to grids! I charted out my full name and more commonly used nickname.



VICTORIA


VICKI

(Definitely prefer the way “Victoria” looks.)

And then I remembered the symmetry of my first, middle, and last names, with 8, 4, and 8 characters respectively. I compiled a 20-flag grid and voilà, an afghan pattern has all but written itself:

I thought surely someone would have already written a nautical flag afghan pattern, but a quick trip through Ravelry only brought up a crochet pattern. I am confident that with some graph paper and/or knitPro, I can come up with what I want and make myself a super-preppy afghan.

As for the bracelet, I have a few ideas I want to try, maybe including an entirely new craft. I’m psyched.

The most beautiful embroidery I’ve ever seen

I recently stopped by the beloved Metropolitan Museum of Art (from which I now live a mere three subway stops away!) to catch the gorgeous exhibit Kimono: A Modern History before it closed. What an incredible treat!

I was stricken by a bit of wall text describing the word kimono as basically “a thing to wear,” and how that has changed from the Japanese equivalent of a t-shirt or sweater into the beautiful, intricately-detailed historical costume that more typically comes to mind in the West. The exhibit was wonderfully presented, starting with traditional Edo Period kimonos, incorporating the kimono into contemporary fashion of the 1920s and 30s, and eventually presenting playful printed cotton under-kimonos that reminded me so much of men’s boxer shorts today.

I was truly dazzled by the embroidery and details, and though I apologize for the iPhone-quality photos, I hope you’ll be able to see what was so enchanting about these pieces.

Edo or Meiji period Over Robe (uchikake), mid-19th century, satin embroidered wit silk and gold thread, couched gold thread

Edo period Uchikake

Gorgeous floral embroidery

Detail view of bird and botanical embroidery

Detail of an Unlined Summer Kimono (Hito-e) with Crickets, Grasshoppers, Cricket Cages, and Pampas Grass, Meiji period, early 20th century, Paste-resist dyed (yuzen) and painted silk gauze with embroidery

I was so charmed by the dyeing technique and gorgeous design of a plain cotton kimono.

Kimono-Shaped Coverlet (Yogi) with Lobster and Crest, Meiji period, mid-19th century, Plain-weave cotton, resist-dyed and painted with dyes and pigments (tsutsugaki)

I loved a section that discussed how the kimono and details were blended with and incorporated into Western fashions for export.

Dressing gown (Yokohama robe), Meiji period, 1879, Plain-weave silk with silk embroidery

And it just plain blows my mind that such a beautiful garment would be available in a department store as a souvenir.

Iida & Co., Takashimaya Department Store Evening Robe, Meiji period, c. 1910, plain-weave silk with silk embroidery

Obi with Thistle, Meiji period, second half of 19th century, brocaded silk with metallic thread

(I adore this thistle pattern.)

Court Lady’s Garment (Kosode) with Swallows and Bells on Blossoming Cherry Tree, Edo or Meiji period, mid-19th century, silk crepe (chirimen) with silk embroidery and couched gold thread

The way these birds and flowers were embroidered is just exquisite.

Whenever I spend any time with Japanese art or culture, I wish I knew more about Japan’s history and aesthetics. I was so enthralled with the different types and styles of embroidery and textile treatment that my mind is still spinning. In addition to adding fuel to the fire of my wish to learn embroidery and to do more with textiles, it made me intensely curious to learn more about Japan and the art of the kimono.

If you are like me, I’d recommend the exhibition catalogue by Terry Satsuki Milhaupt (currently sold out on the Met’s site) or watching the wonderful Sunday at the Met – Kimono: A Modern History lecture online.