Tomorrow is my first day of classes, and I'm really excited for both: Medieval Art in the morning and Chinese Landscape Painting in the afternoon. I've had and loved both professors before (I TA'd for the Medieval one last fall and had him in Venice and I took the summer Asian Art class I loved so much with the other), so I'm genuinely looking forward to it.
I'm also really stoked about the subject matter. My painting lately has transitioned into an adaptation ofSumi-e, and I'm planning some really large-scale pieces for my thesis show.
The gallery I'll have my show in has one wall that is a little larger than 29 feet, and somehow in my head that translated to "Oh, so I'll make a 5-foot by 25-foot piece for that wall." As I continued examining the measurements, I kept saying "Well I can either do two 5-ft square pieces... or a 15-foot wide one, hmm," and I went on like this for quite a while before I realized that these pieces are going to be huge. And that... is a very exciting thought. Working on paper makes all kinds of things possible.
I have never really worked large - the biggest my oil paintings got was 5-ft square, and despite having what should have been ample studio space for working enormous these past two years, I didn't get larger than 30″x40″ (well, okay there were a few 2-ft by 4-ft pieces but they came out disastrous). All summer I was working on this same sized or smaller paper, but it felt constrained, and I kept promising myself that once I got back to NY, I'd get the huge 5- and 6-ft wide rolls I dreamed of and go as long as I wanted (some of these rolls are 33 feet or more). The connection to the history of scroll painting and various Asian arts is deep-seated in the medium itself, so it's only natural that as I got seduced by the way the ink and water flowed, I wanted to go bigger and bigger with it.
And now I can. Mwuhahaha.
The only challenges will be:
a) finding enough space in our very overcrowded apartment to work on such large pieces
b) protecting said pieces from cat paws, dirt, boyfriend, food & self while they dry
c) rolling and transporting said pieces without damaging them
d) figuring out how to attractively and safely hang said pieces in a gallery so they'll stay up for a week and not come down rent asunder at the opening
Easy as pie, right?
Tomorrow after class I'm stopping by the store to pick up a selection of papers to see which ones I like best, then once I've determined that, I'm ordering some big ass rolls.
Oh also I have these two papers from Venice that I have to finish, which have been occupying my every waking hour the past little bit. The research itself is coming along great (and I have exciting art nerdistry to ramble on about on another occasion), but it is as always intensely time-consuming. Of course, it wouldn't be grad school without the stress and exhilaration of impossible deadlines... and man I wish I wasn't being completely serious when I said that.